Canvas Art Essay

The subjectivity of learning makes art what it is. Art is all about light and individuality, since everyone has a different background, experience, taste, and opinion about any artwork. To determine the extent to which perception plays a role in the development, and the existence, of the arts, it is essential to identify the intimacy issues of perception in regards to the area of acquaintance. First, is perception consistent and definite? Does previous knowledge (prejudice) influence how one perceives an artwork? Is perception subjective?These questions will be explored apply one all-purpose example in the arts El Grecos dramatic and expressionistic artworks. Firstly, perception is not universal in terms of time, as very evident with El Grecos works. Virtually all of El Grecos exposures were disdained by his contemporary painters and the public during his lifetime, 1541-1614. His works opposed too some(prenominal) aspects of Baroque style, which was popular in the 17th century . El Greco, therefore, had no followers and no listening at that time his works were considered to be unnatural and overly-complex.However, in the 20th century, his works greatly influenced painters, leading to the birth of expressionism and cubism. For example, Pablo Picasso and Paul Cezanne studied El Grecos structural compositions, his ability to interweave space and form, and the special cause of highlights, which were all disregarded in the 17th century. Also, Jackson Pollock, an expressionist, also followed El Grecos expressionistic composition. Therefore, the unnatural and overly-complex features in the 17th century became the dominant characteristics of the in the raw form of Expressionism.In general, perception is indefinite, with the ability to change over time the time that a piece of art is created and perceived influences the way it is perceived. Also, previous knowledge and experience significantly influences perception. For instance, The Burial of the Count of Orga z, El Grecos most famous work today was presented at the Louvre in 1838. At that time, the audience knew, ahead of time, of El Grecos life, career, and works therefore, there was much enthusiasm and attraction to the painting.Meanwhile, The Burial of the Count of Orgaz was also studied in art schools in the 19th century where students analyzed its composition and form. However, before the students knew the title of the artwork and its artist, they had little interest and fondness for the work. Therefore, this reveals how previous knowledge (in this case, of El Grecos life, delicate talent and fame) affects how it is perceived. Without that knowledge, The Burial of the Count of Orgaz could have simply been an amateurs painting. This brings up the same issue once again.Knowing that the artwork is by El Greco, one may have a positive bias to the work, hence perceiving the painting to be better than it actually is. Lastly, perception is very limited in that it is very subjective. For e xample, we are selective in what we perceive, ignoring certain(a) aspects while emphasizing others. For instance, in El Grecos El Espolio, or The Disrobing of Christ, the oppression of Christ by his cruel tormentors is believed to be artists intensions such studies emphasize El Greco use of vertical and lateral space of the canvas to present this idea.However, some critics enunciate that the subject, rather, is to satirize the situation, since Christ is looking up to Heaven while his figure is segregated from the other people and the violence. Also, there is a figure in the paintings background that is pointing at Christ accusingly. Therefore, it is evident that in these various analyses, different aspects of the painting are emphasized. The real meaning of any artwork is, consequently, not known and cannot be proven in any way.No one sees all the details that another sees in an artwork, hence making it very subjective. This knowledge issue links with the question that cultural bac kground influences the subjectivity and limitations of perception. My prior experience may cause myself to view an artwork in a certain way, and not another. For instance, since I am religious, I regard El Grecos El Espolio to be a genuine presentation of the oppression of Christ by his tormentors I do not perceive it to be a satire of his death.